STUDIO VISIT: ALEX WAGGONER

Camela Guevara had the chance to peek into Fall share artist Alex Waggoner’s studio in her home near Hampton Park a few weeks ago. It was a misty, overcast day when she arrived at Alex’s house, tucked away from the street. She shares the home with her boyfriend, Spring share artist Chris Nickels, and their distinguished pup Bishop.

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Alex creates her thoughtful paintings in what she playfully calls their “would-be laundry room,” which is really a brightly lit nook. Bishop is usually at her feet. Chris works a few feet away at this own desk, in their cozy home with tall ceilings. Bishop always needs to investigate. Most of the photos of her turned into brown blurs of fur.

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Here’s a work by Chris hanging in Alex’s workspace. He has one of her paintings above his desk as well. <3

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With all of her supplies within arm’s reach, Alex creates her 32 works for Charleston Supported Art with great efficiency. Here’s a little peek at the color palette for one such work!

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Alex Waggoner is one of the 2015 Fall share artists.

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STUDIO VISIT: LISA SHIMKO

CSA co-founders AnneTrabue Nelson and Ann Simmons recently paid a visit to the studio of fall share artist Lisa Shimko. Lisa has created a cozy live-work space in her home on the second floor of a charming, bright green single house in downtown Charleston, where she’s lived since 2006.

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Lisa utilizes two rooms to create her work. One of the rooms, which also serves as her office and living room, features a custom-made, heart pine table gifted to her by a woodworker friend, which she paints on often. LSStudio1

The second room is more of a dedicated art space, where she stores her materials and lays out pieces in progress. She often works on multiple pieces at one time.

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Lisa works in acrylic paint and keeps her materials in portable containers that can be moved easily between the two rooms.

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A typical painting session involves drinking a lot of coffee, listening to NPR or podcasts, and studying reference photos.

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Lisa Shimko is one of the 2015 Fall share artists.

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STUDIO VISIT: NINA GARNER

Last week, CSA co-founder Kristy Bishop, had a visit with fall artist, Nina Garner, at her home studio in West Ashley.  Nina’s studio is full of welcoming light.  Her shelves and table tops are covered in a mix of supplies that she is using for her upcoming work.  Whether it’s tingled pompoms or dried flowers,  her studio is filled with tiny surprises from nature and the manmade.

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Nina’s studio is a juxtaposition between the organic and synthetic, like these dried flowers and a roll of pink bubble wrap that also plays the role a vase.

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Her work desk has a glass top where she can display collected items and past work.

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Nina Garner is one of the 2015 Fall share artists.

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STUDIO VISIT: JORDAN FOWLER

Co-founder Erin Nathanson visited the expansive sculpture studio of Jordan Fowler, located at the College of Charleston. In this space, Jordan is creating 32 metal objects for the 2015 fall season.

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Jordan built a crate on casters to function as a mobile work space. The crate provides secure storage for his smaller works and tools.

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The sculpture studio has materials strewn throughout. These metals are ready to be melted down and given a new form.

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Protective-wear is on a whole other level in this studio. Jordan shared some of his top tools for staying safe. 1. Gloves: the perfect pair is leather with Kevlar stitching with flexibility to hold small pieces while welding and sanding. 2. Respirators protect against fumes and harmful particles. 3. Face shields provide a barrier from sparks and enable the artist to see more clearly. And last but not least ear muffs with audio capabilties.

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One of Jordan’s main work tables.

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When finishing a sculpture, Jordan considers many things like where will this piece live? An interior or exterior space? How will it function? Will people sit on it, hang on it? How will the surface handle the environment over time? And the list goes on!

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Image from JordanFowlerArt.com

You can view one of Jordan’s recent sculptures in the town of Mount Pleasant, SC. Embracer  was commissioned by the city and installed on Coleman blvd. in front of Moultrie Middle School.

We cannot wait to share what Jordan creates for the fall season! You can reserve a fall share today and join us at the Pick-Up event on Thursday, November 5th.

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Jordan Fowler is one of the 2015 Fall share artists.

PURCHASE JORDAN’S SEASON

 

STUDIO VISIT: JAMES WINE

Co-Founder Camela Guevara visited the studio of summer share artist James Wine one bright and early morning back in June to have a look at where he creates his vibrant, geometric works. James lives and works in his home studio with his partner, Andrew, in downtown Charleston.

In their sunny room, James has an area dedicated to his practice surrounded by comic book-style doodles and paintings, as well as video game toys, all in the vibrant colors seen in his work.

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Camela enjoyed seeing the methodical way James deals with color and mixing different paints, as well as his playful use of pins.

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He uses his light box to trace natural elements that he incorporates into his work.
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The large painting behind him was included in a recent exhibition at the Charleston Music Hall with fellow summer share artist Riki Matsuda.
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James Wine is one of the 2015 Summer share artists.

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STUDIO VISIT: LUNE MER PORCELAIN

Co-founder Erin Nathanson visited the magically industrious home studio of Ruth Ballou. In this space, the collaborative duo, Ruth Ballou and Rena Lasch (Lune Mer Porcelain), are creating 32 ceramic works for the 2015 summer season.

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Tools, engineered supports, decorative stamps, slips, and re-purposed pool noodles for molds are organized throughout the studio.

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A favorite piece of machinery in the studio is the pug mill!

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The pug mill allows the artists to mix/process large blocks of porcelain faster. This time-saver allows more time to roll, mold, and create.

For Lune Mer Porcelain, color choice and mixing is a science. They formulate their own glazes to create custom colors. Test tiles are created by following a process named The Currie grid method.

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The trusty Magic Bullet is used for mixing test glazes. And this baby kiln fires the tiles up!

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The test tile results are saved and the formulas are documented. The CSA glazes have been specially mixed and will be exclusive to the Summer season!

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Once the porcelain has been formed and is ready for firing, they enter one of the three ” Wall E” family of kilns.

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We can’t wait to peek inside these kilns. Lune Mer Porcelain is one of the 2015 summer season artists!

Lune-Mer-Porcelain_3PURCHASE LUNE MER PORCELAIN’S SEASON

 

STUDIO VISIT: RIKI MATSUDA

Co-founder Ann Simmons recently paid a visit to the studio of summer share artist Riki Matsuda. Riki creates in the ultimate live/work area – her bedroom! Scroll on for a peek at her work space in a historic home on a quiet street in downtown Charleston that she shares with friends.

Matsuda_SV_01RikiStudio2Riki’s bedroom/studio is very well-organized with many boxes and compartments - everything seems to have it’s place. “I have to clean my room whenever I want to make work,” she says. “I find myself doing a cleanse of stuff at least once a month.”

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She works on one piece at a time, with many of the components of her pieces coming from old books that she collects from bargain sales, friends, and an uncle who lives in Ireland that owns a book shop. She flips through with a general idea of what she wants or a concept that she is trying to convey, and either draws from or cuts from the imagery.

Matsuda_SV_26RikiStudio3RikiStudio6RikiStudio5Riki’s must-have tools: sharp Xacto knives, pencils, and adhesives (particularly Uhu sticks). She’s recently begun incorporating more painting in her practice – adding washes to her pieces. Her favorite paints are these old watercolors.

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Aside from creating artwork in the traditional sense, Riki also makes stationary and creates letters for friends and family that could easily be viewed as works of art.

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Riki Matsuda is one of the 2015 Summer season artists.

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STUDIO VISIT: ARIANNE KING COMER

Mast batik artist, Arianne King Comer, works out of her home studio in Park Circle. It is filled with luscious plants, paintings, batiks, and so many textiles. Scroll on to have a peek at where the artist has been creating her pieces for summer shareholders.

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Arianne’s studio shelves are fully stocked with dyes, wax, and all of the supplies she needs for batik.

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She has a beautiful collection of wooden blocks used for stamping dyes or wax.

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Arianne King-Comer is one of the 2015 Summer season artists.

PURCHASE ARIANNE’S SEASON

STUDIO VISIT: KARIN OLAH

CSA co-founder, AnneTrabue Nelson, had the chance to take a tour of Spring share artist Karin Olah’s studio on James Island.  It sounds and looks like an amazing tour! Read on for a behind the scenes look at the creation of Karin’s mixed media works.

Visiting Karin Olah’s adorable cottage studio on James Island is like stepping into a Garden-Fairy-Dance-Party. You’re immediately greeted by Joby the Labradoodle, there’s always fun music playing, and often her little girls (Ali - 3 and Emma - 1 1/2 years old) are flitting around the backyard or painting their own masterpieces alongside Mom.

Karin’s studio is 10 steps from her back door and powered by the solar panels on her home. The cottage is a cozy place where fabric is piled and filed by color. A 19th century cabinet overflows with art supplies. Every surface is claimed by collections of sentimental objects, miniature art, paint chips, family photos, postcards, post-it notes, and torn magazine pages used for color reference.

When I visited, Karin was working on a 46″ x 60″ commission piece - one layer down and 18 more to go. She showed me how she uses painters tape to arrange and re-arrange fabric before applying the rice starch - her adhesive of choice.

The little cottage has a bathroom with a shower where Karin dyes her own fabric. Many years ago, Karin worked in fashion in New York City and made her living from dyeing the dresses that walked the runway. Now she’s grateful for her little place to experiment. She says it’s the perfect place for ombre dyeing (and cleaning up daughters covered in finger-paint).

Up a flight of steps is a mini-gallery and guest room.

Karin likes to use watercolor crayons for preliminary sketches. Her quiver of scissors is front and center, ready for a quick pick-up.

Karin made the Prairie Dog Banjo Player fabric-collage when she she lived in Boulder, Colorado. It sits with funny photo-booth pictures of her and her husband, Craig Knowlton, and a Charleston Magazine interview.

Above a vase of spools of thread, fabric samples, and a miniature quilt made out of her father’s business shirts, is hanging an early fabric-collage-painting from 2004.

Karin’s daughters, Ali (left) and Emma, painting inside on a cold day.  When the weather is nice, the girls work “al fresco” in the courtyard.

 

Karin Olah is one of the 2015 Spring season artists.

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STUDIO VISIT: CHRIS NICKELS

With very little studio space available in the Charleston area, many artists are creating work in the comfort of their own homes. Spring share artist Chris Nickels is no exception. CSA co-founder Ann Simmons payed a visit to Chris’ digs on a recent sunny Sunday afternoon. Read on to see where he produces his digital illustrations!

Chris’ work space is located in the common area of the carriage house apartment in downtown Charleston that he shares with his girlfriend, Alex. A giant portrait of a skier that he found in an antique shop in Walterboro, SC, hangs on the wall, keeping a steady watch. The couple’s new Australian Sheppard puppy, Bishop, also keeps him company as he works.

The tools of an illustrator/digital artist’s trade: sketchbook, computer, tablet, scanner, and coffee. Chris begins by hand drawing the elements of each piece, scanning them into the computer, then manipulating the composition using Adobe Photoshop. The piece is then printed out so that he can hand draw more elements in pencil. He then inks it, scans the re-worked image, and manipulates the image in Photoshop again. This process is often repeated 3 or 4 times with color and hand-made texture incorporated in the later stages.

This homemade light table is another tool Chris utilizes to create his work. Unless deadlines demand otherwise, his pieces are typically created one or two at a time and are done in a single day (with the exception, of course, of editorial pieces that go through a revision process with an art director for the particular publication).

Sketching plays a huge role in the planning of each of Chris’ illustrations, whether it’s for a commissioned editorial piece or a series for a program like CSA. For illustrations commissioned for publications, he typically scans his thumbnail sketches and sends them to the art director with a very detailed, written description. Making lists of words can often help him work through a composition. Thumbnails are often followed by a more detailed sketch before he begins on the final piece.

A unique aspect of Chris’ work is that he draws many of the components of each piece separately, then puts them all together. Many other illustrators draw a piece in its entirety before scanning it into the computer to be further manipulated. His approach makes it easy to add and remove elements within a composition.

Chris often uses his own digital photographs as reference materials for his work. He also collects film cameras and considers photography to be a hobby. While his journey as an illustrator and designer began while attending Savannah College of Art and Design, he developed his love for photography in high school.

He has a particular affinity for Polaroids. Several boxes of Polaroid prints can be found in the studio, along with a special device that converts 35mm slides into peel-apart Polaroids. He and his friend Ben have been taking Polaroids together for over a decade, often considering putting on an exhibition of their images.

 

Chris Nickels is one of the 2015 Spring season artists.

PURCHASE CHRIS’ SEASON